![]() ![]() Schoen-Rene, who had been a student of Pauline Viardot-Garcia and Manuel Garcia.Ĭarlisle's early movies included Murder at the Vanities (1934), A Night at the Opera (1935) with the Marx Brothers, and two films with Bing Crosby, She Loves Me Not (1934) and Here Is My Heart (1934). She privately studied voice with Juilliard teacher Anna E. She also sang the title role in Georges Bizet's Carmen in Salt Lake City. She studied acting in London at the Royal Academy of Dramatic Art.Īfter returning to New York in 1932 with her mother, she appeared, billed as Kitty Carlisle, on Broadway in several operettas and musical comedies, and in the American premiere of Benjamin Britten's The Rape of Lucretia. In 1921, she was taken to Europe, where her mother hoped to marry her off to European royalty, believing the nobility there more amenable to a Jewish bride - only to end up flitting around Europe and often living in what Carlisle recalled as "the worst room of the best hotel." Carlisle was educated at the Chateau Mont-Choisi in Lausanne, Switzerland, then at the Sorbonne and the London School of Economics. (She once said to a taxi driver who asked if her daughter were Jewish, "She may be, but I'm not.") Carlisle's early education took place in New Orleans. Her mother, Hortense Holtzman Conn, was a woman obsessed with breaking into the prevailing Gentile society. Joseph Conn, was a gynecologist who died when she was 10. A Confederate veteran of the American Civil War, Holtzman had been a gunner on the CSS Virginia, perhaps better known as by its previous Union name of Merrimack, the famous Confederate ironclad warship that fought the USS Monitor. Her grandfather, Ben Holtzman, was the mayor of Shreveport, Louisiana. Her family was of German Jewish heritage. ![]() Kitty Carlisle was born as Catherine Conn (Kitty is a nickname for Catherine the surname was pronounced Cohen) in New Orleans, Louisiana. Eight years later, in 1999, she was inducted into the American Theater Hall of Fame. In 1991, she received the National Medal of Arts from President George H. Carlisle served 20 years on the New York State Council on the Arts. She is best remembered as a regular panelist on the television game show To Tell the Truth. The disc is augmented with three tracks drawn from Carlisle's Decca singles, notably a spirited version of "Beat Out Dat Rhythm on a Drum" from Carmen Jones.Kitty Carlisle (also known as Kitty Carlisle Hart, was an American singer, actress and spokeswoman for the arts. And while the scores are incomplete, especially from a later perspective, they remain a brave early attempt to put the music on record. But Carlisle's voice cuts through easily singing operetta was really the strongest of her many modest skills. The present disc is not licensed legitimately from the copyright holders, and it clearly has been mastered from old records, since the sound is not great. Both albums, originally issued as sets of 78s, were reissued on LPs in the 1950s, but otherwise languished in the Decca (later MCA) vaults. Kapp then brought Carlisle and Evans back into the studio to cut a version of the 1926 operetta The Desert Song. The result was the most extensive recording of the score yet attempted. In 1943, Kitty Carlisle appeared in a production of the 38-year-old operetta The Merry Widow in Boston and her notices were good enough to persuade Decca Records president Jack Kapp to undertake a 1944 studio-cast recording using Wilbur Evans, also of the Boston production, and Lisette Verea of a recent New York staging. Box Office Recordings/Encore Productions does operetta fans a favor - even if one that may be legally dicey - by reissuing these two long out-of-print operetta recordings on a single disc.
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